Grieg, Edvard, 1843-1907

Peer Gynt Suite, Holberg Suite, and other works for Piano solo / Edvard Grieg - Dover Edition , Partitura Completa - 261 página

Original Contiene: índice analítico

Four Pieces [Vier Stücke], Op. 1 (1861; dedicated to E. F. Wenzel)
I: Allegro con leggerezza. II: Non Allegro e molto espressivo. III: Mazurka. IV: Allegretto con moto. Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (1863; dedicated to Benjamin Feddersen)
I: Allegro, ma non troppo. Il: Allegro cantabile. III: Con moto. IV: Andante con sentimento. V: Allegro moderato. VI: Allegro scherzando. Humoresques [Humoresker], Op. 6 (1865; dedicated to Rikard Nordraak)
I: Tempo di Valse. II: Tempo di Menuetto ed energico. III: Allegretto con grazia. IV: Allegro alla burla. Sonata in E Minor, Op. 7 (1865; dedicated to Niels W. Gade)
Allegro moderato. Andante molto. Alla Menuetto, ma poco più lento. Finale. Concerto in A Minor, Op. 16, Arranged for Solo Piano (1868?; dedicated to Edmund Neupert)
Allegro molto moderato. Adagio. Allegro moderato e molto marcato. Four Album Leaves [Fire albumblade], Op. 28 (1864-78; dedicated to Minna Petersen)
I: Allegro con moto (1864). II: Allegretto espressivo (1874). III: Vivace (1876). IV: Andantino serioso (1878). Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (1881?; dedicated to Heinrich von Herzogenberg: arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2)
I: Heart's Wounds [Herzwunden). II: Last Spring (Letzter Frühling]. From Holberg's Time (Fra Holbergs tid; Holberg Suite], Op. 40 (1884; dedicated to Erika Lie-Nissen)
I: Pracludium. II: Sarabande. III: Gavotte. IV: Air. V: Rigaudon. Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (1), Op. 41 (1884)
1: Lullaby [Wiegenlied]. II: Little Haakon [Klein Haakon]. III: I Love Thee [Ich liebe dich]. IV: She Is So White (Wenn einst sie lag an meiner Brust/Sie ist so weiss]. V: The Princess [Die Prinzessin]. VI: To Springtime [An den Lenz). Peer Gynt Suite No. 1, Op. 46 (1888; arrangement of orchestral work)
I: Morning Mood (Morgenstimmung]. II: Ase's Death (Ases Tod]. III: Anitra's Dance [Anitras Tanz]. IV: In the Hall of the Mountain King. [In der Halle des Bergkönigs]. Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 (n.d.)
I: A Mother's Grief [Mutterschmerz]. II: The First Meeting [Erstes Begegnen]. Ill: The Poet's Heart [Des Dichters Herz]. IV: Solvejg's Song [Solvejgs Lied]. V: Love [Liebel]. VI: The Old Mother [Die alte Mutter). Two Melodies [Zwei Melodien], Op. 53 (1891?; dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no. 1)
I:Norwegian [Norwegisch]. II: The First Meeting [Erstes Begegnen]. Peer Gynt Suite No. 2, Op. 55 (1892/3?; arrangement of orchestral work)
I: Ingrid's Lament (Ingrids Klage]. II: Arabian Dance [Arabischer Tan:]. III: Feer Gynt's Return Home [Peer Gynts Heimkehr]. IV: Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 (1903-5)
I: Resignation. II. Scherzo-Impromptu. III: Night Ride (Natligt ridt). IV: Folksong [Folketone]. V: Study (Studiel (Hommage à Chopin). VI: Students' Serenade (Studenternes serenade). VII:The Mountaineer's Song [Lalit] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak] WoOp. (1866) Three Piano Pieces [Drei Klavierstücke], WoOp. (1891, 1898)
I: White Clouds [Hvide skyer] (1891). II: Gnomes Tune [Tusselslåt] (1898). III: The Dance Goes On [Dansen går].


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