Plainsong Medieval Music
- Cambridge:University Press, 2011.
- v.20, n.1, 89 p p.
The sensuous music aesthetics of the Middle Ages the cases of Augustine, Jacques de Liège and Guido of Arezzo, p.1-30 Bernard of Clairvaux, Office de saint Victor; Prologue Ó l'antiphonaire; Epître 389, p.85 Stefano Mengozzi, The Renaissance Reform of Medieval Music Theory Guido of Arezzo between Myth and History, p.81-84 T.J.H. McCarthy, Music, Scholasticism and Reform Salian Germany, 1024-1125, p.80 Susan Boynton and Eric Rice, eds., Young Choristers, 650-1700, p.77-79 Recent recordings of plainchant, p.71-76 Communication, p.67-70 A report on the encoding of melodic incipits in the CANTUS database with the music font 'Volpiano', p.51-66 The songs of Johannes Decanus, p.31-50
Solo para consulta en sala
MUSICOLOGIA
MUSICA MEDIEVAL
ML169.8 / P51p
The sensuous music aesthetics of the Middle Ages the cases of Augustine, Jacques de Liège and Guido of Arezzo, p.1-30 Bernard of Clairvaux, Office de saint Victor; Prologue Ó l'antiphonaire; Epître 389, p.85 Stefano Mengozzi, The Renaissance Reform of Medieval Music Theory Guido of Arezzo between Myth and History, p.81-84 T.J.H. McCarthy, Music, Scholasticism and Reform Salian Germany, 1024-1125, p.80 Susan Boynton and Eric Rice, eds., Young Choristers, 650-1700, p.77-79 Recent recordings of plainchant, p.71-76 Communication, p.67-70 A report on the encoding of melodic incipits in the CANTUS database with the music font 'Volpiano', p.51-66 The songs of Johannes Decanus, p.31-50
Solo para consulta en sala
MUSICOLOGIA
MUSICA MEDIEVAL
ML169.8 / P51p
