Contiene : tabla de contenido, listado de otras publicaciones

How to have a revolution, at least in theory -- How to ease the ABC's part 1 -- How to ease the ABC's part 2 -- How to clean up your writing act -- How to transcribe tunes by ear -- How to readily recorgnize written intervals -- How to sweeten sounds wuth sixths -- How to pick a pitch area -- How to alter arpeggios -- How to make, understand, or just dig moderm bass lines -- How to vitalize inner voices -- How to counter melody part 1 -- How to counter melody part 2 -- How to chromaticize counterlines for the Rest of your life -- How to transform tunes by metric means -- How to defeat the one-chord doldrum -- How to set up scales .. and scale / chord combinations part 1 -- How to set up scales .. and scale / chord combinations part 2 -- How to pin down pentatonic scales part 1 -- How to pin down pentatonic scales part 2 -- How to pin down pentatonic scales part 3 -- How to explore 8-notes scales part 1 -- How to explore 8-notes scales part 2 -- How to tame the tone row part 1 -- How to tame the tone row part 2 -- How to tame the tone row part 3 -- How to tame the tone row part 4 -- How to motivate melody -- How to memorize standards part 1 -- How to memorize standards part 2 -- How to improve your improv (along melodic lines) part 1 -- How to improve your improv (along melodic lines) part 2 -- How to improve your improv (along melodic lines) part 3 -- How to improve your improv (along melodic lines) part 4 -- How to ler individual instruments speak for themselves.

The how to column ran in almost every issue of down beat for more than a dozen years, reaching a total for 176 articles. Of those 176 articles, 79 treated the various aspects of muscial theory. About, half of those 79 explored melodic concepts liike scales relationships and motivic development.