Contiene . créditos e índice de ejemplos musicales

Part 1. Elements of music. Pitch and pitch class. Simple meter. Pitch collections, scales, and Major keys. Compound meters. Minor keys and the diatonic modes. Intervals. Triads. Seventh Chords. Connecting intervals in note.to-note- counterpoint. Melodic and rhythmic embellishment in two-voice composition

Part 2. Diatonic harmony and tonicization. Soprano and bass lines in Eighteenth-century style. The basic phrase un SABT style. Dominant sevenths, the predominant area, and melody harmonization. Expanding the tonic and dominant areas. Diatonic harmonies and root progressions. Embellishing tones in four voices. The vii°6m vii°7, viiø7, and other voice-leading chords.Phrase structure and motivic analysis. Diatonic sequences. Secondary dominants and leading-tone chords to V.Tonicizing scale degrees other than.

Part 3. Chromatic Harmony and Form. Modulation to closely related keys. Binary and ternary forms. Invention. fugue and other contrapuntal genres. Modal mixture. The neapolitan sixth and augmented-sixth chords. Vocal forms. Popular music. Chromatic Harmony and voice-leading. Chromatic modulation. Variation and rondo. Sonata and related forms.

Part 4. The twentieth century and beyond. Modes, Scales and sets. Music Analysis with sets. Sets and sets classes. Ordered segments and serialism. Twelve-tone rows and the row matrix. New ways to organize rhythm, meter, and duration. New ways to articulate musical form. Recent Trends.

The study of music theory is not a spectator sport. To learn musical elements and how to analyze them requires action - personal engagement with pieces. This workbook is designed to accompany The musician's guide to theory and analysis, providing hands-on, minds-engaged assignments for students to complete outside of class or for use in class, as the teacher chooses.