Entre lineas : La interpretacion musical como gestor comunicativo
Por: KIDA, Lisa.Editor: Bogotá, 2015Descripción: 54 p. ilus.Materia(s): MONOGRAFIA DE GRADO | FILOSOFIA MUSICAL | COMUNICACION MUSICAL | SICOLOGIA MUSICAL | INTERPRETACION MUSICALMedio Magnetico CDNota de disertación: Monografia de Grado para optar el Título de Maestro en musica // Fundacion Universitaria Juan N. Corpas. Escuela de Musica
|Item type||Current location||Collection||Call number||Status||Date due||Barcode|
|Trabajo de Grado||Estantería Música||Colección Monografías||Mo; ML3830, K43e, 2015 Ubicación: MONOGRAFIAS (Browse shelf)||Available (Consulta interna)||JNC-M-000204|
Monografia de Grado para optar el Título de Maestro en musica // Fundacion Universitaria Juan N. Corpas. Escuela de Musica
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Based on the idea of the investigation born by a personal inquietude, the objective of this case study would be proposed with a reflexive point of view to obtain some first-hand information about the communicational process that a musician experience when he's producing a piece of music. Understanding the musician as a human being that involve in his interpretation not just sensitive elements, but also intellectual and emotional ones. Speaking about the musician and his duty, can be an abysmally extensive task and may one, no obtain a clearly and correctly conclusion about it, because it is also a subjective task; nevertheless it is important to know the concepts being produced so far, to get an idea of what history tell to us. To get into a reflexive perspective that brings new ways of thinking about the musical making and his interpreter. Parallels with aesthetic and philosophical theory are offered as explanation for some of the more intangible elements of performance, particularly in relation to the main priorities and motivations of the performer.
Medio Magnetico CD